The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

The multi-level project deals with issues related to bodily movement and physical presence. Wandering is a state that allows one to disappear momentarily, to blend in with the surroundings, On the other hand, it is conducting to observe certain phenomena, which remain invisible in other conditions. The exhibition, playing with the ways of exhibiting works, is a multi-layered game with the body and senses of the viewer, at the same time becoming fully understandable only after passing through the whole distance in the landscape of the Zachęta Project Room. In this case, the journey begins with an attempt at a meeting of artists, continues in a commentary on their common impressions of functioning in the world of art, drawing on such notions as the visibility coefficient, and closes with reflections on the overlooked aspects of the artistic work.

The exhibition of works by Liliana Porter at Zachęta is the first presentation of the work of this outstanding artist of such scope in Poland. She was born in 1941 in Argentina, studied art in Buenos Aires, Mexico City, and then in New York, where she has been living and working since 1964, while remaining present on the Argentine art scene. 

In Kurdish the word "hiwa" means hope. The exhibition "Highly Unlikely but not Impossible" showcases the works of Hiwa K - an Iraqi Kurd who found political asylum in Europe around 20 years ago, and today is considered one of the leading contemporary artists in the world. His unique artistic tactics are based on creating the form using of the practices of everyday life, childhood memories, upbringing and family anecdotes. His oeuvre — a combination of autobiographical elements with things he overhears and fictional stories — sheds a new light on matters such as refugees, functioning in another culture, as well as the geopolitical conditions of human existence.

"Rechowicz/Smaga. Circle" is an exhibition of over one hundred photographic objects created together by Hanna Rechowicz and Jan Smaga that evoke the history of a house at Lekarska Street in Warsaw where she has lived for many years. A work in process, the house was shaped from the 1950s by the artist couple of Gabriel and Hanna Rechowicz; following Gabriel’s death, Hanna has been taking care of and working on it herself. It is a place with a rich past — for decades a meeting point for Warsaw’s art community: architects, fine artists, filmmakers.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.