In Kurdish the word "hiwa" means hope. The exhibition "Highly Unlikely but not Impossible" showcases the works of Hiwa K - an Iraqi Kurd who found political asylum in Europe around 20 years ago, and today is considered one of the leading contemporary artists in the world.

The exhibition of works by Liliana Porter at Zachęta is the first presentation of the work of this outstanding artist of such scope in Poland. She was born in 1941 in Argentina, studied art in Buenos Aires, Mexico City, and then in New York, where she has been living and working since 1964, while remaining present on the Argentine art scene. 

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

In Kurdish the word "hiwa" means hope. The exhibition "Highly Unlikely but not Impossible" showcases the works of Hiwa K - an Iraqi Kurd who found political asylum in Europe around 20 years ago, and today is considered one of the leading contemporary artists in the world.

The exhibition of works by Liliana Porter at Zachęta is the first presentation of the work of this outstanding artist of such scope in Poland. She was born in 1941 in Argentina, studied art in Buenos Aires, Mexico City, and then in New York, where she has been living and working since 1964, while remaining present on the Argentine art scene. 

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

In Kurdish the word "hiwa" means hope. The exhibition "Highly Unlikely but not Impossible" showcases the works of Hiwa K - an Iraqi Kurd who found political asylum in Europe around 20 years ago, and today is considered one of the leading contemporary artists in the world.

The exhibition of works by Liliana Porter at Zachęta is the first presentation of the work of this outstanding artist of such scope in Poland. She was born in 1941 in Argentina, studied art in Buenos Aires, Mexico City, and then in New York, where she has been living and working since 1964, while remaining present on the Argentine art scene. 

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

In Kurdish the word "hiwa" means hope. The exhibition "Highly Unlikely but not Impossible" showcases the works of Hiwa K - an Iraqi Kurd who found political asylum in Europe around 20 years ago, and today is considered one of the leading contemporary artists in the world.

The exhibition of works by Liliana Porter at Zachęta is the first presentation of the work of this outstanding artist of such scope in Poland. She was born in 1941 in Argentina, studied art in Buenos Aires, Mexico City, and then in New York, where she has been living and working since 1964, while remaining present on the Argentine art scene. 

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

In Kurdish the word "hiwa" means hope. The exhibition "Highly Unlikely but not Impossible" showcases the works of Hiwa K - an Iraqi Kurd who found political asylum in Europe around 20 years ago, and today is considered one of the leading contemporary artists in the world.

The exhibition of works by Liliana Porter at Zachęta is the first presentation of the work of this outstanding artist of such scope in Poland. She was born in 1941 in Argentina, studied art in Buenos Aires, Mexico City, and then in New York, where she has been living and working since 1964, while remaining present on the Argentine art scene. 

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

In Kurdish the word "hiwa" means hope. The exhibition "Highly Unlikely but not Impossible" showcases the works of Hiwa K - an Iraqi Kurd who found political asylum in Europe around 20 years ago, and today is considered one of the leading contemporary artists in the world.

The exhibition of works by Liliana Porter at Zachęta is the first presentation of the work of this outstanding artist of such scope in Poland. She was born in 1941 in Argentina, studied art in Buenos Aires, Mexico City, and then in New York, where she has been living and working since 1964, while remaining present on the Argentine art scene. 

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

The exhibition of works by Liliana Porter at Zachęta is the first presentation of the work of this outstanding artist of such scope in Poland. She was born in 1941 in Argentina, studied art in Buenos Aires, Mexico City, and then in New York, where she has been living and working since 1964, while remaining present on the Argentine art scene. 

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

The exhibition of works by Liliana Porter at Zachęta is the first presentation of the work of this outstanding artist of such scope in Poland. She was born in 1941 in Argentina, studied art in Buenos Aires, Mexico City, and then in New York, where she has been living and working since 1964, while remaining present on the Argentine art scene. 

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

The exhibition of works by Liliana Porter at Zachęta is the first presentation of the work of this outstanding artist of such scope in Poland. She was born in 1941 in Argentina, studied art in Buenos Aires, Mexico City, and then in New York, where she has been living and working since 1964, while remaining present on the Argentine art scene. 

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

The exhibition of works by Liliana Porter at Zachęta is the first presentation of the work of this outstanding artist of such scope in Poland. She was born in 1941 in Argentina, studied art in Buenos Aires, Mexico City, and then in New York, where she has been living and working since 1964, while remaining present on the Argentine art scene. 

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

The exhibition of works by Liliana Porter at Zachęta is the first presentation of the work of this outstanding artist of such scope in Poland. She was born in 1941 in Argentina, studied art in Buenos Aires, Mexico City, and then in New York, where she has been living and working since 1964, while remaining present on the Argentine art scene. 

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

The exhibition of works by Liliana Porter at Zachęta is the first presentation of the work of this outstanding artist of such scope in Poland. She was born in 1941 in Argentina, studied art in Buenos Aires, Mexico City, and then in New York, where she has been living and working since 1964, while remaining present on the Argentine art scene. 

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Views is the most important competition in Poland ad-dressed to young artists. Organised continuously on a biannual since 2003, it shows the most interesting phe-nomena on the art scene. Its initiators were two institu-tions: Zachęta — National Gallery of Art and Deutsche Bank Polska, which have been implementing this pro-ject together to this day.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Views is the most important competition in Poland ad-dressed to young artists. Organised continuously on a biannual since 2003, it shows the most interesting phe-nomena on the art scene. Its initiators were two institu-tions: Zachęta — National Gallery of Art and Deutsche Bank Polska, which have been implementing this pro-ject together to this day.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Views is the most important competition in Poland ad-dressed to young artists. Organised continuously on a biannual since 2003, it shows the most interesting phe-nomena on the art scene. Its initiators were two institu-tions: Zachęta — National Gallery of Art and Deutsche Bank Polska, which have been implementing this pro-ject together to this day.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Views is the most important competition in Poland ad-dressed to young artists. Organised continuously on a biannual since 2003, it shows the most interesting phe-nomena on the art scene. Its initiators were two institu-tions: Zachęta — National Gallery of Art and Deutsche Bank Polska, which have been implementing this pro-ject together to this day.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

The exhibition is part of the French artist Gaëlle Choisne’s Temple of Love project, inspired by the Roland Barthes’ The Lover’s Discourse: Fragments. It is a heterogeneous mix of existing sculptures from the exhibition shown in w Bétonsalon — Centre d’art et de recherche in Paris and a new production for the Zachęta Project Room, including a new experimental video inspired by the artist’s recent visit in Haiti, from where her family derive from.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Views is the most important competition in Poland ad-dressed to young artists. Organised continuously on a biannual since 2003, it shows the most interesting phe-nomena on the art scene. Its initiators were two institu-tions: Zachęta — National Gallery of Art and Deutsche Bank Polska, which have been implementing this pro-ject together to this day.