Archive of Imaginary Objectsis an institution dedicated to writing an alternative history of Polish design. Its aim is to discover designers whose creations sought to address the problems faced by marginalised people in Poland in the 20th century.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

Archive of Imaginary Objectsis an institution dedicated to writing an alternative history of Polish design. Its aim is to discover designers whose creations sought to address the problems faced by marginalised people in Poland in the 20th century.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

Archive of Imaginary Objectsis an institution dedicated to writing an alternative history of Polish design. Its aim is to discover designers whose creations sought to address the problems faced by marginalised people in Poland in the 20th century.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

Archive of Imaginary Objectsis an institution dedicated to writing an alternative history of Polish design. Its aim is to discover designers whose creations sought to address the problems faced by marginalised people in Poland in the 20th century.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

Archive of Imaginary Objectsis an institution dedicated to writing an alternative history of Polish design. Its aim is to discover designers whose creations sought to address the problems faced by marginalised people in Poland in the 20th century.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

Archive of Imaginary Objectsis an institution dedicated to writing an alternative history of Polish design. Its aim is to discover designers whose creations sought to address the problems faced by marginalised people in Poland in the 20th century.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people and contextual spaces, creating the so-called open situations. Performativity and cooperation with viewers and participants are important parts of their work. They have tackled the subject of war on several occasions, ever since the Armed Forces of the Russian Federation began their military operations in the southeast of Ukraine in 2014. Open Group’s projects are created through a long process, and their works’ themes are always intersecting.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

The exhibition at WATARI-UM, the Watari Museum serves as a small retrospective of works created over six decades. The selection, however, is enough to highlight the essential qualities of this art – the alignment of life and work, visual minimalism, the deliberate elimination of things, philosophical reflection – or simply attention turned inward – along with the pursuit of harmony: harmony with ourselves, with nature, and with our surroundings. The exhibition brings together a variety of Kamoji’s works, all of which are inextricably linked to the artist’s deeply internalized experience.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

The exhibition at WATARI-UM, the Watari Museum serves as a small retrospective of works created over six decades. The selection, however, is enough to highlight the essential qualities of this art – the alignment of life and work, visual minimalism, the deliberate elimination of things, philosophical reflection – or simply attention turned inward – along with the pursuit of harmony: harmony with ourselves, with nature, and with our surroundings. The exhibition brings together a variety of Kamoji’s works, all of which are inextricably linked to the artist’s deeply internalized experience.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

The exhibition at WATARI-UM, the Watari Museum serves as a small retrospective of works created over six decades. The selection, however, is enough to highlight the essential qualities of this art – the alignment of life and work, visual minimalism, the deliberate elimination of things, philosophical reflection – or simply attention turned inward – along with the pursuit of harmony: harmony with ourselves, with nature, and with our surroundings. The exhibition brings together a variety of Kamoji’s works, all of which are inextricably linked to the artist’s deeply internalized experience.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

The exhibition at WATARI-UM, the Watari Museum serves as a small retrospective of works created over six decades. The selection, however, is enough to highlight the essential qualities of this art – the alignment of life and work, visual minimalism, the deliberate elimination of things, philosophical reflection – or simply attention turned inward – along with the pursuit of harmony: harmony with ourselves, with nature, and with our surroundings. The exhibition brings together a variety of Kamoji’s works, all of which are inextricably linked to the artist’s deeply internalized experience.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

The exhibition at WATARI-UM, the Watari Museum serves as a small retrospective of works created over six decades. The selection, however, is enough to highlight the essential qualities of this art – the alignment of life and work, visual minimalism, the deliberate elimination of things, philosophical reflection – or simply attention turned inward – along with the pursuit of harmony: harmony with ourselves, with nature, and with our surroundings. The exhibition brings together a variety of Kamoji’s works, all of which are inextricably linked to the artist’s deeply internalized experience.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

The exhibition at WATARI-UM, the Watari Museum serves as a small retrospective of works created over six decades. The selection, however, is enough to highlight the essential qualities of this art – the alignment of life and work, visual minimalism, the deliberate elimination of things, philosophical reflection – or simply attention turned inward – along with the pursuit of harmony: harmony with ourselves, with nature, and with our surroundings. The exhibition brings together a variety of Kamoji’s works, all of which are inextricably linked to the artist’s deeply internalized experience.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

The exhibition at WATARI-UM, the Watari Museum serves as a small retrospective of works created over six decades. The selection, however, is enough to highlight the essential qualities of this art – the alignment of life and work, visual minimalism, the deliberate elimination of things, philosophical reflection – or simply attention turned inward – along with the pursuit of harmony: harmony with ourselves, with nature, and with our surroundings. The exhibition brings together a variety of Kamoji’s works, all of which are inextricably linked to the artist’s deeply internalized experience.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

The exhibition at WATARI-UM, the Watari Museum serves as a small retrospective of works created over six decades. The selection, however, is enough to highlight the essential qualities of this art – the alignment of life and work, visual minimalism, the deliberate elimination of things, philosophical reflection – or simply attention turned inward – along with the pursuit of harmony: harmony with ourselves, with nature, and with our surroundings. The exhibition brings together a variety of Kamoji’s works, all of which are inextricably linked to the artist’s deeply internalized experience.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

The exhibition at WATARI-UM, the Watari Museum serves as a small retrospective of works created over six decades. The selection, however, is enough to highlight the essential qualities of this art – the alignment of life and work, visual minimalism, the deliberate elimination of things, philosophical reflection – or simply attention turned inward – along with the pursuit of harmony: harmony with ourselves, with nature, and with our surroundings. The exhibition brings together a variety of Kamoji’s works, all of which are inextricably linked to the artist’s deeply internalized experience.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

The exhibition at WATARI-UM, the Watari Museum serves as a small retrospective of works created over six decades. The selection, however, is enough to highlight the essential qualities of this art – the alignment of life and work, visual minimalism, the deliberate elimination of things, philosophical reflection – or simply attention turned inward – along with the pursuit of harmony: harmony with ourselves, with nature, and with our surroundings. The exhibition brings together a variety of Kamoji’s works, all of which are inextricably linked to the artist’s deeply internalized experience.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

The exhibition at WATARI-UM, the Watari Museum serves as a small retrospective of works created over six decades. The selection, however, is enough to highlight the essential qualities of this art – the alignment of life and work, visual minimalism, the deliberate elimination of things, philosophical reflection – or simply attention turned inward – along with the pursuit of harmony: harmony with ourselves, with nature, and with our surroundings. The exhibition brings together a variety of Kamoji’s works, all of which are inextricably linked to the artist’s deeply internalized experience.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

The exhibition at WATARI-UM, the Watari Museum serves as a small retrospective of works created over six decades. The selection, however, is enough to highlight the essential qualities of this art – the alignment of life and work, visual minimalism, the deliberate elimination of things, philosophical reflection – or simply attention turned inward – along with the pursuit of harmony: harmony with ourselves, with nature, and with our surroundings. The exhibition brings together a variety of Kamoji’s works, all of which are inextricably linked to the artist’s deeply internalized experience.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

The exhibition at WATARI-UM, the Watari Museum serves as a small retrospective of works created over six decades. The selection, however, is enough to highlight the essential qualities of this art – the alignment of life and work, visual minimalism, the deliberate elimination of things, philosophical reflection – or simply attention turned inward – along with the pursuit of harmony: harmony with ourselves, with nature, and with our surroundings. The exhibition brings together a variety of Kamoji’s works, all of which are inextricably linked to the artist’s deeply internalized experience.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

The exhibition at WATARI-UM, the Watari Museum serves as a small retrospective of works created over six decades. The selection, however, is enough to highlight the essential qualities of this art – the alignment of life and work, visual minimalism, the deliberate elimination of things, philosophical reflection – or simply attention turned inward – along with the pursuit of harmony: harmony with ourselves, with nature, and with our surroundings. The exhibition brings together a variety of Kamoji’s works, all of which are inextricably linked to the artist’s deeply internalized experience.

Andrea Fraser (b. 1965), lives and works in Los Angeles, California. She is a professor in the Department of Art in the School of Art and Architecture at the University of California, Los Angeles (UCLA). She is one of the most influential and provocative artists of her generation. Since the mid-1980s, her groundbreaking work in the field of institutional critique has explored the social, financial and affective economics of the organisation of the art world, its various disciplines and groups.

The exhibition at WATARI-UM, the Watari Museum serves as a small retrospective of works created over six decades. The selection, however, is enough to highlight the essential qualities of this art – the alignment of life and work, visual minimalism, the deliberate elimination of things, philosophical reflection – or simply attention turned inward – along with the pursuit of harmony: harmony with ourselves, with nature, and with our surroundings. The exhibition brings together a variety of Kamoji’s works, all of which are inextricably linked to the artist’s deeply internalized experience.