‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

‘On the eve of liberation, 22 April 1945, Käthe Kollwitz dies, not living to see how a new democratic Germany, the Germany for which she fought with the whole heart of a progressive artist, arises with the support of the Soviet Union,’ Stanisław Hen writes in his review of the presentation held in the Central Bureau of Art Exhibitions (CBWA).

The "Exhibition of Works by Soviet Artists" in Zachęta CBWA was the first large official exhibition of Soviet art in the Polish People’s Republic and the second large exhibition of its kind in Warsaw. The first one was organised in the Second Republic of Poland , in a different historical reality, at the Warsaw Institute of Art Propaganda in March of 1933.

The "Exhibition of Works by Soviet Artists" in Zachęta CBWA was the first large official exhibition of Soviet art in the Polish People’s Republic and the second large exhibition of its kind in Warsaw. The first one was organised in the Second Republic of Poland , in a different historical reality, at the Warsaw Institute of Art Propaganda in March of 1933.

The "Exhibition of Works by Soviet Artists" in Zachęta CBWA was the first large official exhibition of Soviet art in the Polish People’s Republic and the second large exhibition of its kind in Warsaw. The first one was organised in the Second Republic of Poland , in a different historical reality, at the Warsaw Institute of Art Propaganda in March of 1933.