Habima Fuchs defines her exhibitions as an open field throughout which the viewer can take an infinite number of trips. The same is true for the show at the Zachęta Project Room. The gallery space is like a sheet of paper on which the author’s hand draws/arranges various visual or spatial elements.

A key figure on the Polish artistic scene from the moment of her debut in the first half of the 1970s. Teresa Murak, a performer and sculptor engaging in activities in public space, is a precursor and one of the most important representatives of earth art in Poland.

The exhibition looks at travel in a region where freedom to travel was, until recently, a luxury available only to the very few. The revolution of 1989 and the subsequent opening to the world and globalisation processes allowed citizens of the former Eastern Bloc personal mobility on an unprecedented scale. Participation in international exchanges contributed to the region’s identity today as much as the new political and economic order.

The Polish Pavilion at the Biennale Architettura 2016 directly responds to this year’s theme – Reporting from the Front – by addressing the ethical issues facing one of the most underrepresented participants in architecture: the construction worker.

The exhibition by Rafał Bujnowski is different from his projects to date. It features most recent works only, and highly varied ones, including a video about a man met at a fitness club, a series of paintings from recent months, and two objects — vintage cars — borrowed from the material world of things.