Joanna Rajkowska

Artists
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Artist's works in the Zachęta collection

  • Zdjęcie pracy Gold and Silver
    Gold and SilverJoanna Rajkowska2008
  • Zdjęcie pracy Camping Jenin
    Camping JeninJoanna Rajkowska2008
  • Zdjęcie pracy The Love of a Man Named Dog
    The Love of a Man Named DogJoanna Rajkowska1998
  • Zdjęcie pracy z serii Karty z „Czterech ksiąg o Architekturze” A. Palladio, II
    z serii Karty z „Czterech ksiąg o Architekturze” A. Palladio, IIJoanna Rajkowska1998
  • Zdjęcie pracy z serii Karty z „Czterech ksiąg o Architekturze” A. Palladio, I
    z serii Karty z „Czterech ksiąg o Architekturze” A. Palladio, IJoanna Rajkowska1992
  • Zdjęcie pracy z serii Karty z „Czterech ksiąg o Architekturze” A. Palladio, III
    z serii Karty z „Czterech ksiąg o Architekturze” A. Palladio, IIIJoanna Rajkowska1992
  • Zdjęcie pracy z serii Karty z „Czterech ksiąg o Architekturze” A. Palladio, IV
    z serii Karty z „Czterech ksiąg o Architekturze” A. Palladio, IVJoanna Rajkowska1992
  • Zdjęcie pracy z serii Karty z „Czterech ksiąg o Architekturze” A. Palladio, V
    z serii Karty z „Czterech ksiąg o Architekturze” A. Palladio, VJoanna Rajkowska1992
  • Zdjęcie pracy z serii Karty z „Czterech ksiąg o Architekturze” A. Palladio, VI
    z serii Karty z „Czterech ksiąg o Architekturze” A. Palladio, VIJoanna Rajkowska1992
  • Zdjęcie pracy z serii Karty z „Czterech ksiąg o Architekturze” A. Palladio, VII
    z serii Karty z „Czterech ksiąg o Architekturze” A. Palladio, VIIJoanna Rajkowska1992
Exhibitions
  • Grafika do wystawy TRUTH BEAUTY GOODNESS
    15.04 – 19.07.2015
    TRUTH BEAUTY GOODNESS
    From the Zachęta Collection

    The latest presentation of the collection in the Raczyński tenement building on Małachowski Square, just opposite Zachęta is entitled TRUTH BEAUTY GOODNESS.

    Kamienica Hrabiego RaczyńskiegoKamienica Hrabiego Raczyńskiego
  • Grafika do wystawy Progress and Hygiene
    29.11.2014 – 15.02.2015
    Progress and Hygiene

    The exhibition presented in Zachęta, “Progress and Hygiene”, is devoted to the pitfalls of modernization in the context of the idealistic faith in progress and the possibilities of “betterment” common to both art and science at the beginning of the 20th century. It was conceived as an essay which critically analyses such phenomena as genetic engineering, eugenics or research into the purity of races, also drawing attention to their continued impact on today’s world.

    Zachęta – National Gallery of ArtZachęta
  • Grafika do wystawy Warsaw ENcourages
    11.01 – 11.03.2012
    Warsaw ENcourages

    The exhibition, Warsaw ENcourages, presents selected works from the Zachęta’s collection. The present  collection has been systematically built up since the 1990s and mainly comprises works by Polish contemporary artists who have exhibitions at the gallery as well as works co-produced by Zachęta as part of its projects. Zachęta National Gallery of Art as part of the project Art Gallery at Warsaw Chopin Airport.

    Chopin AirportChopin Airport
  • Grafika do wystawy Spectrum. From the Zachęta Video Collection
    02.05 – 29.05.2011
    Spectrum. From the Zachęta Video Collection
    Screenings in the ursula blickle videolounge

    The compilation of video presented in ursula blikle lounge is a selection of works from the Zachęta video collection. The programme of the thematic screenings of videos is a spectrum, in other words a certain organized selection of phenomena and concepts analysed by the films’ authors. It is a presentation of works of the newest video art in Poland, created by outstanding artists of the young and middle generation. The screenings that comprise the project Spectrum have been divided into the following thematic blocks: sound, gender, social portrait and roles. The selection made was dictated in part by the technical conditions of the place of presentation – the videos selected were one channel projections, whose theme and aesthetics made them appropriate to be shown in the proposed form. The choice of these works was also an attempt to underline the range of themes that Polish video artists engage with. It shows both a cross-section and the spectrum of problems relevant today in Polish art. This should not be treated as a full picture, but rather as an overview of Polish video art of the last two decades.

    Kunsthalle WienKunsthalle Wien