The exhibition of paintings from the collection of Zachęta – National Gallery of Art in Warsaw prepared for the National Forum of Music in Wrocław includes works by artists using various languages ​​of abstraction, from the 1960s to the beginning of the 21st century.

This cross-sectional exhibition of Polish 20th and 21st century painting includes a wide range of works by outstanding Polish artists of different generations — representatives of the key currents of art history and contemporary artistic trends. The exhibition features, among others, contemporary classics, artists representing conceptual attitudes, educators and experimenters, as well as artistic personalities that are worth reminding to the broader audience, who are now relegated to the sidelines of art history.

Art in Our Age is an exhibition of works from the collections of the ING Polish Art Foundation and Zachęta — National Gallery of Art. The exhibition confronts the activities of contemporary artists with the fundamental questions that those visiting their exhibitions ask themselves: has today’s art totally divorced itself from reality? Who are contemporary artists and why do we call the effects of their activities works of art? What does the abstract explorations of the artistic avant-garde have in common with the lives of ordinary people?

Alice: Wonderland Across the Road (a twin project to Włodzimierz Jan Zakrzewski. Alice at Sakson Garden) is presented at the Zachęta’s ground floor. Here the inspiration came from Carroll’s play with scale, perspective and space.

To Pee in a Bun is the fifth presentation of a selection of works from the Zachęta collections. At the exhibition can be seen works either rarely or never before seen. The exhibition’s curator Karol Radziszewski – has made a subjective selection and reinterpretation of works, placing them in new and at times surprising contexts.       

The year 1968 is a time of the culmination of a great number of wildly different political and social tensions. Protests, unrest and demonstrations took place all over the world, from Mexico and the U.S.A., through Germany, France, Poland and Czechoslovakia to as far as Japan (without neglecting Latin America). The exhibition Revolutions 1968 does not present the art of those times. It is rather an attempt to portray this period through art (although not just through art) from different perspectives: historical and documentary, or through interpretations and re-interpretations of social problems and cultural phenomena characteristic of this turbulent time.