How can you communicate with the world when illness renders established forms of communication impossible? How do women with disabilities experience motherhood? How do you become a mother during rehabilitation? What does it mean to ‘regain a voice’ in a world that does not recognise your language?

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How can you communicate with the world when illness renders established forms of communication impossible? How do women with disabilities experience motherhood? How do you become a mother during rehabilitation? What does it mean to ‘regain a voice’ in a world that does not recognise your language?

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How can you communicate with the world when illness renders established forms of communication impossible? How do women with disabilities experience motherhood? How do you become a mother during rehabilitation? What does it mean to ‘regain a voice’ in a world that does not recognise your language?

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How can you communicate with the world when illness renders established forms of communication impossible? How do women with disabilities experience motherhood? How do you become a mother during rehabilitation? What does it mean to ‘regain a voice’ in a world that does not recognise your language?

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How can you communicate with the world when illness renders established forms of communication impossible? How do women with disabilities experience motherhood? How do you become a mother during rehabilitation? What does it mean to ‘regain a voice’ in a world that does not recognise your language?

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How can you communicate with the world when illness renders established forms of communication impossible? How do women with disabilities experience motherhood? How do you become a mother during rehabilitation? What does it mean to ‘regain a voice’ in a world that does not recognise your language?

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How can you communicate with the world when illness renders established forms of communication impossible? How do women with disabilities experience motherhood? How do you become a mother during rehabilitation? What does it mean to ‘regain a voice’ in a world that does not recognise your language?

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How can you communicate with the world when illness renders established forms of communication impossible? How do women with disabilities experience motherhood? How do you become a mother during rehabilitation? What does it mean to ‘regain a voice’ in a world that does not recognise your language?

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How can you communicate with the world when illness renders established forms of communication impossible? How do women with disabilities experience motherhood? How do you become a mother during rehabilitation? What does it mean to ‘regain a voice’ in a world that does not recognise your language?

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How can you communicate with the world when illness renders established forms of communication impossible? How do women with disabilities experience motherhood? How do you become a mother during rehabilitation? What does it mean to ‘regain a voice’ in a world that does not recognise your language?

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How can you communicate with the world when illness renders established forms of communication impossible? How do women with disabilities experience motherhood? How do you become a mother during rehabilitation? What does it mean to ‘regain a voice’ in a world that does not recognise your language?

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How can you communicate with the world when illness renders established forms of communication impossible? How do women with disabilities experience motherhood? How do you become a mother during rehabilitation? What does it mean to ‘regain a voice’ in a world that does not recognise your language?

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How can you communicate with the world when illness renders established forms of communication impossible? How do women with disabilities experience motherhood? How do you become a mother during rehabilitation? What does it mean to ‘regain a voice’ in a world that does not recognise your language?

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How does modern art describe the transition from childhood to adulthood, and the problems teenagers face these days? Can artistic tools help them build relationships and create alternative means of communication in the chaotic world, overwhelmed by a barrage of images and information? Can they offer actual support in the emotional crises those people face, and restore their sense of agency?

How can you communicate with the world when illness renders established forms of communication impossible? How do women with disabilities experience motherhood? How do you become a mother during rehabilitation? What does it mean to ‘regain a voice’ in a world that does not recognise your language?

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How does modern art describe the transition from childhood to adulthood, and the problems teenagers face these days? Can artistic tools help them build relationships and create alternative means of communication in the chaotic world, overwhelmed by a barrage of images and information? Can they offer actual support in the emotional crises those people face, and restore their sense of agency?

How can you communicate with the world when illness renders established forms of communication impossible? How do women with disabilities experience motherhood? How do you become a mother during rehabilitation? What does it mean to ‘regain a voice’ in a world that does not recognise your language?

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How does modern art describe the transition from childhood to adulthood, and the problems teenagers face these days? Can artistic tools help them build relationships and create alternative means of communication in the chaotic world, overwhelmed by a barrage of images and information? Can they offer actual support in the emotional crises those people face, and restore their sense of agency?

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How does modern art describe the transition from childhood to adulthood, and the problems teenagers face these days? Can artistic tools help them build relationships and create alternative means of communication in the chaotic world, overwhelmed by a barrage of images and information? Can they offer actual support in the emotional crises those people face, and restore their sense of agency?

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How does modern art describe the transition from childhood to adulthood, and the problems teenagers face these days? Can artistic tools help them build relationships and create alternative means of communication in the chaotic world, overwhelmed by a barrage of images and information? Can they offer actual support in the emotional crises those people face, and restore their sense of agency?

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How does modern art describe the transition from childhood to adulthood, and the problems teenagers face these days? Can artistic tools help them build relationships and create alternative means of communication in the chaotic world, overwhelmed by a barrage of images and information? Can they offer actual support in the emotional crises those people face, and restore their sense of agency?

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How does modern art describe the transition from childhood to adulthood, and the problems teenagers face these days? Can artistic tools help them build relationships and create alternative means of communication in the chaotic world, overwhelmed by a barrage of images and information? Can they offer actual support in the emotional crises those people face, and restore their sense of agency?

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How does modern art describe the transition from childhood to adulthood, and the problems teenagers face these days? Can artistic tools help them build relationships and create alternative means of communication in the chaotic world, overwhelmed by a barrage of images and information? Can they offer actual support in the emotional crises those people face, and restore their sense of agency?

Liquid Tongues is an audio-video installation by Bogna Burska and Daniel Kotowski, in which the Chór w Ruchu [Choir in Motion], featuring both hearing and Deaf people, does interpretations of whale communication codes and songs – both in phonic English and international sign language (IS). The project seeks alternative modes of communication, inspired by more-then-human life

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How does modern art describe the transition from childhood to adulthood, and the problems teenagers face these days? Can artistic tools help them build relationships and create alternative means of communication in the chaotic world, overwhelmed by a barrage of images and information? Can they offer actual support in the emotional crises those people face, and restore their sense of agency?

Liquid Tongues is an audio-video installation by Bogna Burska and Daniel Kotowski, in which the Chór w Ruchu [Choir in Motion], featuring both hearing and Deaf people, does interpretations of whale communication codes and songs – both in phonic English and international sign language (IS). The project seeks alternative modes of communication, inspired by more-then-human life

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How does modern art describe the transition from childhood to adulthood, and the problems teenagers face these days? Can artistic tools help them build relationships and create alternative means of communication in the chaotic world, overwhelmed by a barrage of images and information? Can they offer actual support in the emotional crises those people face, and restore their sense of agency?

Liquid Tongues is an audio-video installation by Bogna Burska and Daniel Kotowski, in which the Chór w Ruchu [Choir in Motion], featuring both hearing and Deaf people, does interpretations of whale communication codes and songs – both in phonic English and international sign language (IS). The project seeks alternative modes of communication, inspired by more-then-human life

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How does modern art describe the transition from childhood to adulthood, and the problems teenagers face these days? Can artistic tools help them build relationships and create alternative means of communication in the chaotic world, overwhelmed by a barrage of images and information? Can they offer actual support in the emotional crises those people face, and restore their sense of agency?

Liquid Tongues is an audio-video installation by Bogna Burska and Daniel Kotowski, in which the Chór w Ruchu [Choir in Motion], featuring both hearing and Deaf people, does interpretations of whale communication codes and songs – both in phonic English and international sign language (IS). The project seeks alternative modes of communication, inspired by more-then-human life

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How does modern art describe the transition from childhood to adulthood, and the problems teenagers face these days? Can artistic tools help them build relationships and create alternative means of communication in the chaotic world, overwhelmed by a barrage of images and information? Can they offer actual support in the emotional crises those people face, and restore their sense of agency?

Liquid Tongues is an audio-video installation by Bogna Burska and Daniel Kotowski, in which the Chór w Ruchu [Choir in Motion], featuring both hearing and Deaf people, does interpretations of whale communication codes and songs – both in phonic English and international sign language (IS). The project seeks alternative modes of communication, inspired by more-then-human life

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How does modern art describe the transition from childhood to adulthood, and the problems teenagers face these days? Can artistic tools help them build relationships and create alternative means of communication in the chaotic world, overwhelmed by a barrage of images and information? Can they offer actual support in the emotional crises those people face, and restore their sense of agency?

Liquid Tongues is an audio-video installation by Bogna Burska and Daniel Kotowski, in which the Chór w Ruchu [Choir in Motion], featuring both hearing and Deaf people, does interpretations of whale communication codes and songs – both in phonic English and international sign language (IS). The project seeks alternative modes of communication, inspired by more-then-human life

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How does modern art describe the transition from childhood to adulthood, and the problems teenagers face these days? Can artistic tools help them build relationships and create alternative means of communication in the chaotic world, overwhelmed by a barrage of images and information? Can they offer actual support in the emotional crises those people face, and restore their sense of agency?

Liquid Tongues is an audio-video installation by Bogna Burska and Daniel Kotowski, in which the Chór w Ruchu [Choir in Motion], featuring both hearing and Deaf people, does interpretations of whale communication codes and songs – both in phonic English and international sign language (IS). The project seeks alternative modes of communication, inspired by more-then-human life

Barbara Kasten. Post-abstraction, the first such extensive exhibition of the American artist’s work in this part of Europe, marks a return to the place that helped her shape her artistic language many years ago. The exhibition involves a cross-sectional presentation of 100 works by Barbara Kasten, done in various media: photography, sculpture, and installation, complemented by the artist’s intervention in Zachęta’s stairway.

How does modern art describe the transition from childhood to adulthood, and the problems teenagers face these days? Can artistic tools help them build relationships and create alternative means of communication in the chaotic world, overwhelmed by a barrage of images and information? Can they offer actual support in the emotional crises those people face, and restore their sense of agency?

Liquid Tongues is an audio-video installation by Bogna Burska and Daniel Kotowski, in which the Chór w Ruchu [Choir in Motion], featuring both hearing and Deaf people, does interpretations of whale communication codes and songs – both in phonic English and international sign language (IS). The project seeks alternative modes of communication, inspired by more-then-human life