This cross-sectional exhibition of Polish 20th and 21st century painting includes a wide range of works by outstanding Polish artists of different generations — representatives of the key currents of art history and contemporary artistic trends. The exhibition features, among others, contemporary classics, artists representing conceptual attitudes, educators and experimenters, as well as artistic personalities that are worth reminding to the broader audience, who are now relegated to the sidelines of art history.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

This cross-sectional exhibition of Polish 20th and 21st century painting includes a wide range of works by outstanding Polish artists of different generations — representatives of the key currents of art history and contemporary artistic trends. The exhibition features, among others, contemporary classics, artists representing conceptual attitudes, educators and experimenters, as well as artistic personalities that are worth reminding to the broader audience, who are now relegated to the sidelines of art history.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

This cross-sectional exhibition of Polish 20th and 21st century painting includes a wide range of works by outstanding Polish artists of different generations — representatives of the key currents of art history and contemporary artistic trends. The exhibition features, among others, contemporary classics, artists representing conceptual attitudes, educators and experimenters, as well as artistic personalities that are worth reminding to the broader audience, who are now relegated to the sidelines of art history.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

This cross-sectional exhibition of Polish 20th and 21st century painting includes a wide range of works by outstanding Polish artists of different generations — representatives of the key currents of art history and contemporary artistic trends. The exhibition features, among others, contemporary classics, artists representing conceptual attitudes, educators and experimenters, as well as artistic personalities that are worth reminding to the broader audience, who are now relegated to the sidelines of art history.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

This cross-sectional exhibition of Polish 20th and 21st century painting includes a wide range of works by outstanding Polish artists of different generations — representatives of the key currents of art history and contemporary artistic trends. The exhibition features, among others, contemporary classics, artists representing conceptual attitudes, educators and experimenters, as well as artistic personalities that are worth reminding to the broader audience, who are now relegated to the sidelines of art history.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

This cross-sectional exhibition of Polish 20th and 21st century painting includes a wide range of works by outstanding Polish artists of different generations — representatives of the key currents of art history and contemporary artistic trends. The exhibition features, among others, contemporary classics, artists representing conceptual attitudes, educators and experimenters, as well as artistic personalities that are worth reminding to the broader audience, who are now relegated to the sidelines of art history.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.

Rebellion of the Deaf is a performance and film by one of the most interesting visual artists of the middle generation, an associate professor at the Chair of Intermedia of the Academy of Fine Arts in Gdańsk. The eponymous Rebellion of the Deaf refers to the protest of deaf students from the American Gallaudet University, who in 1988 fought for the appointment of the first deaf rector in history. The project was inspired by the story of a Dutch artist, a daughter of Chinese immigrants, born in Europe. When she was born, social services advised her parents to raise her without using their own language, in order to better assimilate her. The parents, who did not know Dutch, brought up their daughter practically without speaking to her: they used only about 50 of the simplest words at home.

Graphics are the most numerous and at the same time the least known works in the Zachęta collection. The individual objects included in the exhibitions have never allowed the broader audiences to look at the whole of the collection in a broader way. Therefore, we wanted to recall a genre that occupied such an important place on the artistic scene a few decades ago, and over the last 30 years has been gradually marginalised. The 2,100 works in our collection are a very diverse set in terms of style, quality and form; with particularly outstanding works from the 1960s. We noticed their consistency, high artistic level, as well as combination of traditional techniques with the search for new formal solutions, so characteristic of graphic arts.

"Maps under the sky of Rio de Janeiro" is a presentation of the artistic output of Anna Bella Geiger (b. 1933), a pioneer of Brazilian art. In the historical context of modern art in Brazil, Geiger, alongside Hélio Oticica, Lygia Clark, and Lygia Pape, is one of Rio de Janeiro’s top artists who have re-established the connection between the expressionist tradition with neo-concretism (neoconcretismo). The exhibition reflects the diversity of the artist’s interests: from anthropology to astronomy, from indigenous cultures and alchemy to concrete poetry and Brazilian music, from modern utopias and dystopias to game theory. Geiger’s works from the 1970s – drawings, prints, and video projections – serve as the exhibition’s starting point and form its core.

The exhibition at the Zachęta Project Room will show paintings — a cycle of works on canvas and activities carried out directly on the wall. I would like my paintings hanging on the walls to blend in with the gallery space. I also intend to check to what extent this space can be disturbed by transferring painting from canvas directly to the walls.