The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Views is the most important competition in Poland addressed to artists who are young, but already present on the Polish art scene. Organised continuously on a biannual basis since 2003, it showcases the most interesting phenomena on the art scene. 

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Views is the most important competition in Poland addressed to artists who are young, but already present on the Polish art scene. Organised continuously on a biannual basis since 2003, it showcases the most interesting phenomena on the art scene. 

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Views is the most important competition in Poland addressed to artists who are young, but already present on the Polish art scene. Organised continuously on a biannual basis since 2003, it showcases the most interesting phenomena on the art scene. 

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Views is the most important competition in Poland addressed to artists who are young, but already present on the Polish art scene. Organised continuously on a biannual basis since 2003, it showcases the most interesting phenomena on the art scene. 

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Views is the most important competition in Poland addressed to artists who are young, but already present on the Polish art scene. Organised continuously on a biannual basis since 2003, it showcases the most interesting phenomena on the art scene. 

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Views is the most important competition in Poland addressed to artists who are young, but already present on the Polish art scene. Organised continuously on a biannual basis since 2003, it showcases the most interesting phenomena on the art scene. 

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Millions of spreads, 16 language versions, several hundred authors of photographs, three basic editions, two of which were published almost continuously from 1954 to 1989 (version for the West) and 1990 (version for the East) — that is the impressive picture of the Poland monthly in numbers.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Views is the most important competition in Poland addressed to artists who are young, but already present on the Polish art scene. Organised continuously on a biannual basis since 2003, it showcases the most interesting phenomena on the art scene. 

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Views is the most important competition in Poland addressed to artists who are young, but already present on the Polish art scene. Organised continuously on a biannual basis since 2003, it showcases the most interesting phenomena on the art scene. 

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Views is the most important competition in Poland addressed to artists who are young, but already present on the Polish art scene. Organised continuously on a biannual basis since 2003, it showcases the most interesting phenomena on the art scene. 

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Views is the most important competition in Poland addressed to artists who are young, but already present on the Polish art scene. Organised continuously on a biannual basis since 2003, it showcases the most interesting phenomena on the art scene. 

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Views is the most important competition in Poland addressed to artists who are young, but already present on the Polish art scene. Organised continuously on a biannual basis since 2003, it showcases the most interesting phenomena on the art scene. 

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Views is the most important competition in Poland addressed to artists who are young, but already present on the Polish art scene. Organised continuously on a biannual basis since 2003, it showcases the most interesting phenomena on the art scene. 

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Views is the most important competition in Poland addressed to artists who are young, but already present on the Polish art scene. Organised continuously on a biannual basis since 2003, it showcases the most interesting phenomena on the art scene. 

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Innocent and ominous, suspended between the animate and the inanimate, mobile and immobile, human and inhuman, the theatrical puppet continues to fascinate...

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Views is the most important competition in Poland addressed to artists who are young, but already present on the Polish art scene. Organised continuously on a biannual basis since 2003, it showcases the most interesting phenomena on the art scene. 

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition consists of seven films by outstanding and renowned artists; some of them are presented for the first time. They show in different ways the condition of people, the Earth, what we are losing and what we desire, the effects of the different forms of alienation that we experience globally today. They make us aware of the causes of alienation, the mechanisms of destructive human behaviour, recalling historical and contemporary events that affect the state of today’s world.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition consists of seven films by outstanding and renowned artists; some of them are presented for the first time. They show in different ways the condition of people, the Earth, what we are losing and what we desire, the effects of the different forms of alienation that we experience globally today. They make us aware of the causes of alienation, the mechanisms of destructive human behaviour, recalling historical and contemporary events that affect the state of today’s world.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition consists of seven films by outstanding and renowned artists; some of them are presented for the first time. They show in different ways the condition of people, the Earth, what we are losing and what we desire, the effects of the different forms of alienation that we experience globally today. They make us aware of the causes of alienation, the mechanisms of destructive human behaviour, recalling historical and contemporary events that affect the state of today’s world.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition consists of seven films by outstanding and renowned artists; some of them are presented for the first time. They show in different ways the condition of people, the Earth, what we are losing and what we desire, the effects of the different forms of alienation that we experience globally today. They make us aware of the causes of alienation, the mechanisms of destructive human behaviour, recalling historical and contemporary events that affect the state of today’s world.

The exhibition prepared by the Center of Polish Sculpture in Orońsko and Zachęta – National Gallery of Art in Warsaw, based on the collections of both institutions, presents works by outstanding, canonical artists and significant artists of the young and middle generation, active within various tendencies and artistic trends. The show is a representative collection of Polish art of the second half of the 20th century and the beginning of our century.

Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will experience the unique form and scale of the sculpture — an inside-out aircraft — but also the effect of an unexpected “reversal of the world”. The project delivers a commentary on the situation of political and economic transformations.

Paulina Włostowska had the opportunity to become acquainted with the works of her late neighbour, the local artist Czesław Gendek — a painter who created works in various techniques and who was involved with applied graphics, exhibitions and advertising. The Gendek family studio housed both the unfinished works of the artist and the tools of his everyday craft. Włostowska never met the painter personally, so she only came across an orphaned space and objects that had lost their meaning and function.

An experimenter in the field of cinematographic techniques and a film education pioneer, originator and founder of the Film Drawing Studio at the Academy of Fine Arts in Kraków (1957–1972) — the first such institution in the world offering education in animation at a higher artistic school.

The exhibition consists of seven films by outstanding and renowned artists; some of them are presented for the first time. They show in different ways the condition of people, the Earth, what we are losing and what we desire, the effects of the different forms of alienation that we experience globally today. They make us aware of the causes of alienation, the mechanisms of destructive human behaviour, recalling historical and contemporary events that affect the state of today’s world.