An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

The backbone of the exhibition Wild at Heart is the collection of the ING Polish Art Foundation which gathers the works by Polish living artists created post 1990. The precision of the spatial and temporal framework of this collection determines its content which focuses on the Polish scene during the social and economic transformation (following the fall of communism in 1989).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

The backbone of the exhibition Wild at Heart is the collection of the ING Polish Art Foundation which gathers the works by Polish living artists created post 1990. The precision of the spatial and temporal framework of this collection determines its content which focuses on the Polish scene during the social and economic transformation (following the fall of communism in 1989).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

The backbone of the exhibition Wild at Heart is the collection of the ING Polish Art Foundation which gathers the works by Polish living artists created post 1990. The precision of the spatial and temporal framework of this collection determines its content which focuses on the Polish scene during the social and economic transformation (following the fall of communism in 1989).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

The backbone of the exhibition Wild at Heart is the collection of the ING Polish Art Foundation which gathers the works by Polish living artists created post 1990. The precision of the spatial and temporal framework of this collection determines its content which focuses on the Polish scene during the social and economic transformation (following the fall of communism in 1989).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

The backbone of the exhibition Wild at Heart is the collection of the ING Polish Art Foundation which gathers the works by Polish living artists created post 1990. The precision of the spatial and temporal framework of this collection determines its content which focuses on the Polish scene during the social and economic transformation (following the fall of communism in 1989).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

The backbone of the exhibition Wild at Heart is the collection of the ING Polish Art Foundation which gathers the works by Polish living artists created post 1990. The precision of the spatial and temporal framework of this collection determines its content which focuses on the Polish scene during the social and economic transformation (following the fall of communism in 1989).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

The backbone of the exhibition Wild at Heart is the collection of the ING Polish Art Foundation which gathers the works by Polish living artists created post 1990. The precision of the spatial and temporal framework of this collection determines its content which focuses on the Polish scene during the social and economic transformation (following the fall of communism in 1989).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

The backbone of the exhibition Wild at Heart is the collection of the ING Polish Art Foundation which gathers the works by Polish living artists created post 1990. The precision of the spatial and temporal framework of this collection determines its content which focuses on the Polish scene during the social and economic transformation (following the fall of communism in 1989).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

The backbone of the exhibition Wild at Heart is the collection of the ING Polish Art Foundation which gathers the works by Polish living artists created post 1990. The precision of the spatial and temporal framework of this collection determines its content which focuses on the Polish scene during the social and economic transformation (following the fall of communism in 1989).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

The backbone of the exhibition Wild at Heart is the collection of the ING Polish Art Foundation which gathers the works by Polish living artists created post 1990. The precision of the spatial and temporal framework of this collection determines its content which focuses on the Polish scene during the social and economic transformation (following the fall of communism in 1989).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

Work on the Unexpected Encounter exhibition started with a meeting. Kko-Kka Lee, a curator from Seoul, who was in Warsaw on a research, gave Magda Kardasz, curator of the Zachęta Project Room, a presentation of her favourite artists from Korea. In turn, Magda presented them to Anna Panek, a Warsaw artist with whom she had been planning an exhibition for some time. The artist liked the idea of establishing a dialogue with another artist, and she chose Won Seoung Won, who also agreed to take up the challenge. This was the story behind the ‘unexpected encounter’ of two fully fledged artists from distant cultures.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

This exhibition is one of the events accompanying the 40th anniversary of the Faculty of Design at the Academy of Fine Arts in Warsaw. It will present the works of the Faculty’s founders: Jerzy Sołtan, Lech Tomaszewski, and Andrzej Jan Wróblewski.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

This exhibition is one of the events accompanying the 40th anniversary of the Faculty of Design at the Academy of Fine Arts in Warsaw. It will present the works of the Faculty’s founders: Jerzy Sołtan, Lech Tomaszewski, and Andrzej Jan Wróblewski.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

This exhibition is one of the events accompanying the 40th anniversary of the Faculty of Design at the Academy of Fine Arts in Warsaw. It will present the works of the Faculty’s founders: Jerzy Sołtan, Lech Tomaszewski, and Andrzej Jan Wróblewski.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

This exhibition is one of the events accompanying the 40th anniversary of the Faculty of Design at the Academy of Fine Arts in Warsaw. It will present the works of the Faculty’s founders: Jerzy Sołtan, Lech Tomaszewski, and Andrzej Jan Wróblewski.

An exhibition devoted to the interwar period in Poland, with a narrative built around the key social ideas that were born after the country regained its independence in 1918. The modernizing ideas, focusing around the needs of previously underprivileged social groups — women, children, workers and ethnic minorities — will be shown through the perspective of the broadly understood visual culture of this time (from architecture and design to the most modern medium of the time, film).

This exhibition has been put together primarily for children and parents, as well as those who do not feel comfortable in contemporary art galleries. It is intended to encourage those who do not understand modern art, or are ashamed to admit it.

This exhibition is one of the events accompanying the 40th anniversary of the Faculty of Design at the Academy of Fine Arts in Warsaw. It will present the works of the Faculty’s founders: Jerzy Sołtan, Lech Tomaszewski, and Andrzej Jan Wróblewski.

The project Amplifying Nature is based on the premise that architecture is part of processes occurring on a planetary scale. According to the authors of the exhibition — curator Anna Ptak and architects Małgorzata Kuciewicz and Simone De Iacobis of the CENTRALA collective — it serves not only to offer protection from nature, but is inherently connected with phenomena such as gravitation, water circulation, or the day-night cycle.