The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

To mark the 25th anniversary of the ING Polish Art Foundation, Moving Image explores collecting cultural artefacts not simply as acquisition or preservation, but as a gesture toward an unknown future recipient. While it could be said that every collection – be it of visual art, of poems, or of colorful shells gathered on a shore – carries a latent promise of bestowal, this dynamic is built into the ING collection by design

Christelle Oyiri’s exhibition titled Ghost Rider, part of the BMW Art Club 2025 project, opens on 20 November at Zachęta! The partnership between Zachęta and BMW creates a framework for artistic experimentation where modern art meets technology and innovation.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

To mark the 25th anniversary of the ING Polish Art Foundation, Moving Image explores collecting cultural artefacts not simply as acquisition or preservation, but as a gesture toward an unknown future recipient. While it could be said that every collection – be it of visual art, of poems, or of colorful shells gathered on a shore – carries a latent promise of bestowal, this dynamic is built into the ING collection by design

Christelle Oyiri’s exhibition titled Ghost Rider, part of the BMW Art Club 2025 project, opens on 20 November at Zachęta! The partnership between Zachęta and BMW creates a framework for artistic experimentation where modern art meets technology and innovation.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

To mark the 25th anniversary of the ING Polish Art Foundation, Moving Image explores collecting cultural artefacts not simply as acquisition or preservation, but as a gesture toward an unknown future recipient. While it could be said that every collection – be it of visual art, of poems, or of colorful shells gathered on a shore – carries a latent promise of bestowal, this dynamic is built into the ING collection by design

Christelle Oyiri’s exhibition titled Ghost Rider, part of the BMW Art Club 2025 project, opens on 20 November at Zachęta! The partnership between Zachęta and BMW creates a framework for artistic experimentation where modern art meets technology and innovation.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

To mark the 25th anniversary of the ING Polish Art Foundation, Moving Image explores collecting cultural artefacts not simply as acquisition or preservation, but as a gesture toward an unknown future recipient. While it could be said that every collection – be it of visual art, of poems, or of colorful shells gathered on a shore – carries a latent promise of bestowal, this dynamic is built into the ING collection by design

Christelle Oyiri’s exhibition titled Ghost Rider, part of the BMW Art Club 2025 project, opens on 20 November at Zachęta! The partnership between Zachęta and BMW creates a framework for artistic experimentation where modern art meets technology and innovation.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

To mark the 25th anniversary of the ING Polish Art Foundation, Moving Image explores collecting cultural artefacts not simply as acquisition or preservation, but as a gesture toward an unknown future recipient. While it could be said that every collection – be it of visual art, of poems, or of colorful shells gathered on a shore – carries a latent promise of bestowal, this dynamic is built into the ING collection by design

Christelle Oyiri’s exhibition titled Ghost Rider, part of the BMW Art Club 2025 project, opens on 20 November at Zachęta! The partnership between Zachęta and BMW creates a framework for artistic experimentation where modern art meets technology and innovation.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

To mark the 25th anniversary of the ING Polish Art Foundation, Moving Image explores collecting cultural artefacts not simply as acquisition or preservation, but as a gesture toward an unknown future recipient. While it could be said that every collection – be it of visual art, of poems, or of colorful shells gathered on a shore – carries a latent promise of bestowal, this dynamic is built into the ING collection by design

Christelle Oyiri’s exhibition titled Ghost Rider, part of the BMW Art Club 2025 project, opens on 20 November at Zachęta! The partnership between Zachęta and BMW creates a framework for artistic experimentation where modern art meets technology and innovation.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

To mark the 25th anniversary of the ING Polish Art Foundation, Moving Image explores collecting cultural artefacts not simply as acquisition or preservation, but as a gesture toward an unknown future recipient. While it could be said that every collection – be it of visual art, of poems, or of colorful shells gathered on a shore – carries a latent promise of bestowal, this dynamic is built into the ING collection by design

Christelle Oyiri’s exhibition titled Ghost Rider, part of the BMW Art Club 2025 project, opens on 20 November at Zachęta! The partnership between Zachęta and BMW creates a framework for artistic experimentation where modern art meets technology and innovation.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

To mark the 25th anniversary of the ING Polish Art Foundation, Moving Image explores collecting cultural artefacts not simply as acquisition or preservation, but as a gesture toward an unknown future recipient. While it could be said that every collection – be it of visual art, of poems, or of colorful shells gathered on a shore – carries a latent promise of bestowal, this dynamic is built into the ING collection by design

Christelle Oyiri’s exhibition titled Ghost Rider, part of the BMW Art Club 2025 project, opens on 20 November at Zachęta! The partnership between Zachęta and BMW creates a framework for artistic experimentation where modern art meets technology and innovation.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

To mark the 25th anniversary of the ING Polish Art Foundation, Moving Image explores collecting cultural artefacts not simply as acquisition or preservation, but as a gesture toward an unknown future recipient. While it could be said that every collection – be it of visual art, of poems, or of colorful shells gathered on a shore – carries a latent promise of bestowal, this dynamic is built into the ING collection by design

Christelle Oyiri’s exhibition titled Ghost Rider, part of the BMW Art Club 2025 project, opens on 20 November at Zachęta! The partnership between Zachęta and BMW creates a framework for artistic experimentation where modern art meets technology and innovation.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

To mark the 25th anniversary of the ING Polish Art Foundation, Moving Image explores collecting cultural artefacts not simply as acquisition or preservation, but as a gesture toward an unknown future recipient. While it could be said that every collection – be it of visual art, of poems, or of colorful shells gathered on a shore – carries a latent promise of bestowal, this dynamic is built into the ING collection by design

Christelle Oyiri’s exhibition titled Ghost Rider, part of the BMW Art Club 2025 project, opens on 20 November at Zachęta! The partnership between Zachęta and BMW creates a framework for artistic experimentation where modern art meets technology and innovation.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

To mark the 25th anniversary of the ING Polish Art Foundation, Moving Image explores collecting cultural artefacts not simply as acquisition or preservation, but as a gesture toward an unknown future recipient. While it could be said that every collection – be it of visual art, of poems, or of colorful shells gathered on a shore – carries a latent promise of bestowal, this dynamic is built into the ING collection by design

Christelle Oyiri’s exhibition titled Ghost Rider, part of the BMW Art Club 2025 project, opens on 20 November at Zachęta! The partnership between Zachęta and BMW creates a framework for artistic experimentation where modern art meets technology and innovation.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

To mark the 25th anniversary of the ING Polish Art Foundation, Moving Image explores collecting cultural artefacts not simply as acquisition or preservation, but as a gesture toward an unknown future recipient. While it could be said that every collection – be it of visual art, of poems, or of colorful shells gathered on a shore – carries a latent promise of bestowal, this dynamic is built into the ING collection by design

Christelle Oyiri’s exhibition titled Ghost Rider, part of the BMW Art Club 2025 project, opens on 20 November at Zachęta! The partnership between Zachęta and BMW creates a framework for artistic experimentation where modern art meets technology and innovation.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

To mark the 25th anniversary of the ING Polish Art Foundation, Moving Image explores collecting cultural artefacts not simply as acquisition or preservation, but as a gesture toward an unknown future recipient. While it could be said that every collection – be it of visual art, of poems, or of colorful shells gathered on a shore – carries a latent promise of bestowal, this dynamic is built into the ING collection by design

Christelle Oyiri’s exhibition titled Ghost Rider, part of the BMW Art Club 2025 project, opens on 20 November at Zachęta! The partnership between Zachęta and BMW creates a framework for artistic experimentation where modern art meets technology and innovation.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

To mark the 25th anniversary of the ING Polish Art Foundation, Moving Image explores collecting cultural artefacts not simply as acquisition or preservation, but as a gesture toward an unknown future recipient. While it could be said that every collection – be it of visual art, of poems, or of colorful shells gathered on a shore – carries a latent promise of bestowal, this dynamic is built into the ING collection by design

Christelle Oyiri’s exhibition titled Ghost Rider, part of the BMW Art Club 2025 project, opens on 20 November at Zachęta! The partnership between Zachęta and BMW creates a framework for artistic experimentation where modern art meets technology and innovation.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

To mark the 25th anniversary of the ING Polish Art Foundation, Moving Image explores collecting cultural artefacts not simply as acquisition or preservation, but as a gesture toward an unknown future recipient. While it could be said that every collection – be it of visual art, of poems, or of colorful shells gathered on a shore – carries a latent promise of bestowal, this dynamic is built into the ING collection by design

Christelle Oyiri’s exhibition titled Ghost Rider, part of the BMW Art Club 2025 project, opens on 20 November at Zachęta! The partnership between Zachęta and BMW creates a framework for artistic experimentation where modern art meets technology and innovation.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

To mark the 25th anniversary of the ING Polish Art Foundation, Moving Image explores collecting cultural artefacts not simply as acquisition or preservation, but as a gesture toward an unknown future recipient. While it could be said that every collection – be it of visual art, of poems, or of colorful shells gathered on a shore – carries a latent promise of bestowal, this dynamic is built into the ING collection by design

Christelle Oyiri’s exhibition titled Ghost Rider, part of the BMW Art Club 2025 project, opens on 20 November at Zachęta! The partnership between Zachęta and BMW creates a framework for artistic experimentation where modern art meets technology and innovation.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.

The exhibition opens the archives of Zachęta to revisit the networks of global artistic relations forged during the socialist era in Poland. Contemporary artists confront these histories with the present, asking what remains of the “internationalist friendships” from before 1989, and how they might shape our understanding of a shared past.