Poly’biorhythms
Soundwalk and field recording trip with Felicity Mangan
registration closed
Free workshops in English
Through this soundwalk participants will tune into the everyday poly‘biorhythms through listening exercises and field recording techniques.
The walk will set off at the entrance to the Ujazdowski Park (Plac na Rozdrożu).
Duration time: around 2.5 hrs. The number of participants is limited to 12, registration through the form at the bottom of the page.
Equipment required:
- Recording devices - portable recorder (Zoom, Tascam etc.) or phone
- Headphones
- Paper & pen
Felicity Mangan is an Australian artist and composer based in Berlin, Germany. By combining field recordings, electroacoustic composition, and electronic music techniques, Felicity’s investigations and works are primarily influenced by the biomes of wetlands, waterways, and soil. She creates immersive, quasi-bioacoustic music using digital audio workstation tools. Her compositions have been presented in multichannel installations, live performances, site-specific settings, and published works.
Felicity has released several solo publications, one on Longform Editions titled Stereo’frog’ic, a play on the word stereophonic – presenting a sound piece, crafted from found recordings of frogs, insects and other ‘vocal’ animals wavering about in a stereo field. As well as Creepy Crawly (Mappa Editions), Bell Metal Reeds (One Instrument), Wet on Wet (Klangklamm/Warm Winters Ltd.), Train Tracks Recorded and Editing by Felicity Mangan (Possible Motive) and a single Körner Park (Care of Editions). Felicity has presented projects in many different settings including Technosphärenklänge CTM/HKW (2019), NEXT TONES, River Toce, Italy (2021) Sound design for 100 Climate Conversation for the Powerhouse Museum, Sydney, Australia (2022), FOCUS - INA GRM (2023), Sonic Acts (2024), and Sonic Narratives, Simultan Festival, TIMIȘOARA, Bega Canal, Romania (2024).
