Zachęta — National Gallery of Art presents the first retrospective in Poland of one of the most original painters of the twentieth century, Maria Lassnig (1919–2014, Austria). Featuring large scale paintings that reveal her long standing exploration of the body and self-representation the exhibition spans her entire career.

Better Self  is a reflection on the contemporary culture of individualism, its causes, effects, and side effects. Featuring actions, performance pieces, training sessions, and public workshops, the Zachęta space will become a stage, a gym, a yoga room, a therapy room, and a discussion site.

Tomasz Saciłowski’s exhibition at the Zachęta Project Room, titled CLFN, consists of new works combining photography and painting. According to the author himself, ‘the prints have been made from negatives and slides with images of leaves, flowers, and trees, taken in the second half of 2016’. He continues, ‘I exposed the films multiple times, including with RGB lamps in the darkroom.

For several years, the Summer Terrace of the Zachęta Project Room has become a space for artistic installations open to the public, local residents, and passers-by. In 2015, such installations were created by Jaśmina Wójcik, together with Jacek Gądek, while in 2016 it was Michał Mioduszewski. This year’s arrangement was designed as a resting place for the public, a space for concerts and meetings on the gallery’s terrace.

Sharon Lockhart (b. 1964) is an American artist living and working in Los Angeles and Poland. Lockhart works with communities to make films and photographs that are both visually compelling and socially engaged through collaborations that unfold over long periods of time. Created with young women from the Youth Sociotherapy Center in Rudzienko, Poland, her project Little Review comprises translations, a new film and series of photographs, as well as educational workshops.