This cross-sectional exhibition of Polish 20th and 21st century painting includes a wide range of works by outstanding Polish artists of different generations — representatives of the key currents of art history and contemporary artistic trends. The exhibition features, among others, contemporary classics, artists representing conceptual attitudes, educators and experimenters, as well as artistic personalities that are worth reminding to the broader audience, who are now relegated to the sidelines of art history.

Among the many roles played by Maurycy Gomulicki in his work as an artist, the role of a pop culture anthropologist is particularly fruitful. This can be seen in the case of the Tats project, dedicated to the documentation of primitive tattoos worn primarily by people identifying with the so-called git (git-ludzie, slang for ‘good people’) subculture, which was popular among young residents of large housing estates in the 1970s. From 2007 on, Gomulicki wandered through flea markets, parks and other marginalised areas of the city, taking thousands of photographs documenting this disappearing phenomenon and capturing this — often primitive, but honest — ‘iconography’ of the dreams of exotic lands, paradise, pleasure and longing, emerging in the most brutal conditions of imprisonment, military service, labour corps and detention centres.

The project Amplifying Nature is based on the premise that architecture is part of processes occurring on a planetary scale. According to the authors of the exhibition—curator Anna Ptak and architects Małgorzata Kuciewicz and Simone De Iacobis of the CENTRALA collective—it serves not only to offer protection from nature, but is inherently connected with phenomena such as gravitation, water circulation, or the day-night cycle.