The exhibition, Warsaw ENcourages, presents selected works from the Zachęta’s collection. The present  collection has been systematically built up since the 1990s and mainly comprises works by Polish contemporary artists who have exhibitions at the gallery as well as works co-produced by Zachęta as part of its projects. Zachęta National Gallery of Art as part of the project Art Gallery at Warsaw Chopin Airport.

The compilation of video presented in ursula blikle lounge is a selection of works from the Zachęta video collection. The programme of the thematic screenings of videos is a spectrum, in other words a certain organized selection of phenomena and concepts analysed by the films’ authors. It is a presentation of works of the newest video art in Poland, created by outstanding artists of the young and middle generation. The screenings that comprise the project Spectrum have been divided into the following thematic blocks: sound, gender, social portrait and roles. The selection made was dictated in part by the technical conditions of the place of presentation – the videos selected were one channel projections, whose theme and aesthetics made them appropriate to be shown in the proposed form. The choice of these works was also an attempt to underline the range of themes that Polish video artists engage with. It shows both a cross-section and the spectrum of problems relevant today in Polish art. This should not be treated as a full picture, but rather as an overview of Polish video art of the last two decades.

Invasion of Sound. Music and the Visual Arts proposes a reading of the esthetic relationship between the visual arts and music as relating to culture, rather to cultures. Such an approach can encompass the whole of music and, at the same time, art in its entirety. To be precise, the exhibition pays particular heed to the points of friction between different musical genres, between different esthetic universes, between different cultures. In other words, Invasion of sound. Music and the visual arts aims to reveal how certain musical contexts of particular works disclose a critical distancing with the cultural, social, historic or political norms that the work addresses.