Marta Deskur

Born 1962 in Kraków, she lives and works in Paris and Kraków.

Marta Deskur is a visual artist. Graduate of the École des Beaux-Art in Aix-en-Provence, where she studied in 1983–1988, Initially an abstract painter, Deskur’s work was later dominated by photography and video. In the 1990s, she often took up the theme of children, e.g. in Comet Girls (1995), Human Clear (1996), or  Nothing to Touch (1995).

Artists
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Artist's works in the Zachęta collection

  • Zdjęcie pracy This Is Klara And This Is Me, Pico
    This Is Klara And This Is Me, PicoMarta Deskur1998
  • Zdjęcie pracy This Is Klara And This Is Me, Pico
    This Is Klara And This Is Me, PicoMarta Deskur1998
Exhibitions
  • Grafika do wystawy TRUTH BEAUTY GOODNESS
    15.04 – 19.07.2015
    TRUTH BEAUTY GOODNESS
    From the Zachęta Collection

    The latest presentation of the collection in the Raczyński tenement building on Małachowski Square, just opposite Zachęta is entitled TRUTH BEAUTY GOODNESS.

    Kamienica Hrabiego RaczyńskiegoKamienica Hrabiego Raczyńskiego
  • Grafika do wystawy Spectrum. From the Zachęta Video Collection
    02.05 – 29.05.2011
    Spectrum. From the Zachęta Video Collection
    Screenings in the ursula blickle videolounge

    The compilation of video presented in ursula blikle lounge is a selection of works from the Zachęta video collection. The programme of the thematic screenings of videos is a spectrum, in other words a certain organized selection of phenomena and concepts analysed by the films’ authors. It is a presentation of works of the newest video art in Poland, created by outstanding artists of the young and middle generation. The screenings that comprise the project Spectrum have been divided into the following thematic blocks: sound, gender, social portrait and roles. The selection made was dictated in part by the technical conditions of the place of presentation – the videos selected were one channel projections, whose theme and aesthetics made them appropriate to be shown in the proposed form. The choice of these works was also an attempt to underline the range of themes that Polish video artists engage with. It shows both a cross-section and the spectrum of problems relevant today in Polish art. This should not be treated as a full picture, but rather as an overview of Polish video art of the last two decades.

    Kunsthalle WienKunsthalle Wien