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The protagonists of the latest issue of our magazine are women: fighters, scandalists, anarchists. And we start with a text by Agnieszka Kościańska from the book Glass Houses (2018).
A performance in the Zachęta gallery, during which the artist undertook a prosaic activity of peeling potatoes. It’s remembered as one of the most important moments in Polish art. Rightly so?
“Why towers? Just because, because they provoke, because they stick out”– what the artist wrote about her works in the 1990s.
The year was 1967. National Exhibition of Photography – women in the lenses of 45 female and male photographers. We recall the catalog of this exhibition.
Translator of Kropotkin and the anarcho-syndicalist Rudolf Rocker, popularizer of Fourier’s ideology. We recalled her during the exhibition The Future Will Be Different.
Käthe Kollwitz, Hito Steyerl and Keren Donde – three artists and three faces of female rebellion. We recall the exhibition documentation from 2019.
In 2008, we showcased an exhibition of 50 Polish female photographers of the 20th century, who mainly dealt with documentary photography.
An exhibition of a politically and socially engaged German artist from the turn of the 19th and 20th century.