Zachęta. September, October, November 2014
Magazine
folders / Texts

Publication date: 01.09.2014

Powiązane wystawy

  • Grafika do wystawy 14th International Architecture Exhibition — la Biennale di Venezia
    07.06 – 23.11.2014
    14th International Architecture Exhibition — la Biennale di Venezia
    Impossible Objects

    Created at the Polish Pavilion by the Institute of Architecture and Jakub Woynarowski, the exhibition Impossible Objects deals with the relations between modernism and politics in the context of building a modern nation state. The show’s highlight is a natural-scale replica of the canopy over the entrance to the burial crypt of Marshal Józef Piłsudski, the Polish political and military leader, created in 1937 at the Wawel Cathedral in Kraków according to a design of Adolf Szyszko-Bohusz. Several alternative variations of the canopy presented by the architect illustrate the process of arriving at a modernist form: from historicising loftiness to modern simplification.

    Polish Pavilion at the International Architecture Exhibition – La Biennale di VeneziaPolish Pavilion at the International Architecture Exhibition – La Biennale di Venezia
  • Grafika do wystawy Cosmos Calling!
    01.07 – 28.09.2014
    Cosmos Calling!
    Art and Science in the Long Sixties

    With the onset of the post-Stalin ‘thaw’ in the Eastern Bloc countries and the proclamation of a scientific-technological revolution, science and technology became an important weapon in Cold War rivalries on both sides of the Iron Curtain, causing space flight, modern telecommunications and nuclear energy to emerge as the symbols of the following decade. New scientific disciplines, including astronautics and the literal ‘detachment from the earth’ it made possible, as well as the impact of cybernetics (now rehabilitated in the communist bloc) and its related disciplines such as biocybernetics, robotics or artificial intelligence, shaped the collective imagination and provided a strong inspiration for all artistic disciplines, from painting, sculpture and music to design, architecture and urban planning.

    Zachęta – National Gallery of ArtZachęta
  • Grafika do wystawy Real-Time Controller Vol. II
    05.08 – 21.09.2014
    Real-Time Controller Vol. II

    Real-Time Controller – exhibition prepared by Marta Węglińska, Maciej Nowacki and Martha Hryniuk – its first show had in the Silverado Gallery at the Poznań Academy of Fine Arts. In Zachęta Project Room curators will show a different version of the project, raising questions about the nature and opportunities to reproduce the principles of the original.

    Zachęta Project RoomZPR
  • Grafika do wystawy Suzan Shutan
    29.08.2014 – 15.02.2015
    Suzan Shutan
    Becoming...

    Becoming... is an installation consisting of hundreds of pompons — a set of inconspicuous coloured dots installed in space in a spontaneous, but well thought through configuration. The flexibility, mobility and modularity of the wired ‘fluffy atoms’ — which viewers can touch and set in motion — constitutes a spectacular performative aspect, liberating the composition from abstraction’s pomposity or conventionality.

    Zachęta – National Gallery of ArtZachęta
  • Grafika do wystawy Corpus
    01.09 – 19.10.2014
    Corpus

    Corpus is a group exhibition comprised of works relating to the body and corporality, inspired by the booksCorpus and Corpus II. Writings on Sexuality by Jean-Luc Nancy — one of the most important contemporary French philosophers.

    Zachęta – National Gallery of ArtZachęta
  • Grafika do wystawy Zbigniew Warpechowski
    20.09 – 11.11.2014
    Zbigniew Warpechowski
    It

    The exhibition in Zachęta is the first such extensive presentation of the work of Zbigniew Warpechowski – a precursor of performance art in Poland and one of the first in the world to work in this genre – presenting documentation of several dozen of the actions realized by the artist over the course of the last 50 years.

    Zachęta – National Gallery of ArtZachęta
  • Grafika do wystawy Konrad Smoleński
    11.10 – 16.11.2014
    Konrad Smoleński
    Everything Was Forever, Until It Was No More – Time Test

    Previously shown in the Polish Pavilion at the 55th International Art Exhibition in Venice, the sound sculpture Everything Was Forever, Until It Was No More is based primarily on the manipulation of the tolling of a bell – an ancient instrument which has for centuries set the rhythm of our earthly and ‘eternal’ lives.

    Zachęta – National Gallery of ArtZachęta
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